Did You Wonder Who Fired the Gun? (2017)
A documentary murder mystery about the filmmaker's family, set in lower Alabama.
Director:
Travis Wilkerson
A documentary murder mystery about the filmmaker's family, set in lower
Alabama, 18 miles north of the Florida state line. On an October night
in 1946, S.E. Branch twice shot a man named Bill Spann in the small
neighborhood market that Branch owned. Two days later, Spann died in a
segregated black hospital. Branch was white-a Klansman-and Spann was
black. Branch claimed self-defense, but despite that claim and the
political climate in Dothan, Alabama in 1946, Branch was charged with
first-degree murder. S.E. Branch was the artist's great granddaddy, on
his mother's side. Everyone says they looked alike. That this story
echoes across decades and generations says much about the distance
travelled by U.S. society since 1946.
Wilkerson opens by comparing his story to that of one of the most legendary literary characters of all time, Atticus Finch in “To Kill a Mockingbird.”
Like Finch’s saga, this one will have a crime and a court case, but
Wilkerson is quick to point out the comfort of fiction doesn’t often
happen in the real world. Wilkerson’s relatives are not Atticus Finch—in
fact, no one really is—and one of them was more likely to be a member
of the lynch mob than the upstanding citizen who stopped them. After the
George Zimmerman verdict, Wilkerson decides its time to open the closet
full of skeletons in his family home and examine his own racist
lineage.
In 1946, S.E. Branch shot Bill Spann. That is
historical record. Branch, Wilkerson’s great-grandfather, owned a small
store in Dothan, Alabama, and Spann was in the store. What exactly Spann
was doing became an object of controversy, but the important thing to
know is that Spann spent almost no time in jail. 70 years ago—not that
long if you think about it—a white store owner shot a black man in cold
blood and didn’t do any time. How did that happen? Wilkerson starts with
this very simple question, and, very refreshingly, allows the answers
to guide his filmmaking. This is no simple “murder mystery documentary.”
At its best, it has a very organic flow, allowing us to follow the
threads of personal and national history with its creator. For example,
he runs into a neighbor next to the building that used to be his
great-grandfather’s store and so he interviews her. He regularly shows
us looping footage of Southern roads. We are on this journey with him.
Perhaps the most interesting aspect of “Did You Wonder Who
Fired the Gun?” is also one that I wish Wilkerson explored a bit more
in-depth, and that’s the idea of the wounds left on parts of this
country by racial violence, and how there is a ripple effect, both
negative and positive, to all of this. He presents shots of places in
Dothan that simply look like they have history embedded in them and
speaks of not being able to walk in the former store without feeling the
ghosts under his feet. There are thousands of places like this in the
country, places forever redefined by violence.
And then he takes this history of violence a step further, visiting
nearby Abbeville, where the rape of Recy Taylor took place, and noting
how that incident inspired Rosa Parks to take the action she did so many
years later. What will the events of today inspire us to do tomorrow?
Wilkerson breaks his film regularly to present the names of murdered men
and women, asking viewers to say their names, including Sandra Bland,
Trayvon Martin, Eric Garner, and more. His film isn’t as much of a call
to action as a call for reflection. Yes, we can march and protest, but
we will get nowhere until we look into our own histories and say the
names of the people we find there.
There are times when I
longed for the visceral, immediate aspect of seeing “Did You Wonder Who
Fired the Gun?” in person and it’s often difficult to translate these
experiences that approach performance art as much as film into something
that can play in theaters. In this case, Wilkerson got most of the way
there, even if a few of his bits of heated narration probably play
better live. Most of all, he’s made a film that’s hard to shake. There
are hundreds of movies about the racial issues that continue to divide
this country, but few that feel this personal or this pleading.
Thanks for reading and have fun watching movies.
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