Before I Wake (2018)
A young Television actress is stalked by a disturbed
individual who continues to make threatening phone calls to her.
Director:
Alexander ChehraziWriter:
Alexander ChehraziCountry:
CanadaLanguage:
EnglishRelease Date:
2018 (Canada) See more »Filming Locations:
Montreal, Québec, CanadaCompany Credits
Show more on
IMDbPro »
Technical Specs
Sound Mix:
StereoColor:
ColorAspect Ratio:
2.35 : 1Did You Know?
Trivia
The location for the Taxi scene was not secure until a week before shooting. Initial locations were constantly being changed throughout production as a permit could not be obtained; thus having to delay shooting for that scene until a spot was finally secure.
The release of “Gerald’s Game” revealed that Flanagan had long been carrying around the Stephen King
book on which that film was based as it was his dream project. Were
“Before I Wake” to be released when it should have been, it would have
been easy to see even then that Flanagan was a fan of King’s style. This
unfolds a lot like a King short story with its focus on grief and
lessons about being careful what you wish for. Clearly inspired by the
author, “Before I Wake” is evidence of a young horror voice working
through ideas that one would have called promising three years ago—a
promise Flanagan has already fulfilled for most. He’s a filmmaker
interested in human emotions and reactions more than he is things that
go bump in the night.
“Before I Wake” opens with a scene reminiscent of the opening of Joachim Trier’s “Thelma.” A man (Dash Mihok) nervously
watches a boy sleeping. The man pulls a gun on the child, clearly
terrified. What would make a man almost kill a young boy? He can’t do
it, and we cut to the boy being adopted by Mark and Jessie Hobson (Thomas Jane & Kate Bosworth), a couple who we learn has not long ago lost their own son in a tragic drowning. The boy is named Cody (Jacob Tremblay, who shot this before his breakthrough in “Room”), and he’s, well, special.
After
Cody has gone to sleep one night, Mark and Jessie see brightly colored
butterflies around their living room. Mark goes to capture one, only to
have it disappear as Cody wakes. Yes, Cody can manifest his dreams.
Rather than turn this into a pure boogeyman tale, Flanagan channels the
grief of parents who have lost a child through his concept when Cody
“manifests” Mark and Jessie’s dead son. What if someone could give you
one more chance to see, touch, and even hear someone you’ve lost? Of
course, it comes with a hitch—kids have nightmares too, and Cody’s are
of a monstrous creation he calls “The Canker Man.”
Flanagan cleverly weaves his emotional themes through his horror
story, embodied in lines like “Sometimes scary things go away when we
understand them a little,” one that has heightened meaning when one
considers the story when the origin of “The Canker Man” has been
revealed. It’s things like this—the way Flanagan refuses to merely tell a
jump scare story—that elevate his work. And he’s phenomenal with
actors, drawing a great performance from Carla Gugino
in “Gerald’s Game” and the underrated Kate Bosworth here, who’s
fantastic at conveying a hard-to-imagine blend of grief, anxiety, fear,
and hope. Flanagan loves close-ups, and he directs his actors well
within them. He’s equally deft at the reveal shots we come to expect
from horror such as a figure in a doorway in the background in the
middle of the night. When “Before I Wake” gets to the jump scare
portions in the mid-section of the movie, especially in a misguided
bully subplot, that's when it falters, almost as if Flanagan is way less
interested in boogeymen than he is the face of a grieving mother.
“Before I Wake” culminates in a sequence almost out of “A Nightmare on Elm Street” in its dreamscape visuals and one is reminded of Flanagan’s skill with framing (and he uses a great score by Danny Elfman
effectively), but also that not everything is coming together here
thematically or narratively. Like the butterflies that flit across the
frame throughout the movie, the various pieces of “Before I Wake” are
individually beautiful but don’t quite cohere into a complete vision in
the end. While there's more to like here than in half the horror
offerings on Netflix, "Before I Wake" needed one more pass in the
writing or editing process, or needed to be done later in Flanagan’s
career when he could more confidently stick the landing. Given his rise
to fame in the few years this has been on the shelf, maybe Netflix will
let their horror all-star remake it someday.
Thanks for reading and have fun watching movies.
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